Jean Rouch

Jean Rouch

From Wikipedia, the free encyclopedia

Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.

Directing

1990

Brise-glace

Director

1986

Enigma

Director

1986

1984

Dionysos

Director

1976

1973

The Year 01

Co-Director

1970

1967

Jaguar

Director

1966

1965

Six in Paris

Director

1965

Gare du Nord

Director

1964

1964

1961

1961

1960

1959

I, a Negro

Director

1955

1949

Circumcision

Director

Acting

Writing

1990

1970

1965

1965

Gare du Nord

Screenplay

1961

1959

Camera

1990

Brise-glace

Director of Photography

1976

Babatou, Three Pieces of Advice

Director of Photography

1970

Little by Little

Director of Photography

1967

Jaguar

Director of Photography

1966

The Lion Hunters

Director of Photography

Crew

1961

The Human Pyramid

Cinematography

1955

The Mad Masters

Cinematography

1949

Circumcision

Cinematography

Production

1959

I, a Negro

Producer

1949

Circumcision

Producer

Art

2012

Mad Mimes

Property Builder

Editing

1990

Infos

Full Name
Jean Rouch
Gender
Male
Date of Birth
5/31/1917
Date of Death
2/18/2004
Also Known As

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